With the release of the board book edition of GOODNIGHT, ARK just a week away, I thought it would be fun to share four things Noah and his ark have taught me about getting boats, er stories, to float.
Don’t expect your boat to float overnight. When I first got the idea for GOODNIGHT, ARK my mind whirred with possibilities. Which animals would be scared of what? How would they get to Noah’s bed? And how would Noah ever comfort them and return them to their bunks? I knew early on that I wanted to write the story in rhyme but finding the perfect meter and line length did not come easily. So I played around with plot and form again, and again, and again. Each time I finished a draft, I’d put it away and work on other things for several weeks so I could see it with fresh eyes. I repeated this cycle for two years and each time the story improved so much that it ended up with two offers! That experience has taught me not to worry about how long a story is taking me to write. Instead, I relax and let creativity work at its own pace until my stories are buoyant and ready to set sail.
Every ARK needs an ARC. Even with all that revising, my agent thought the initial version of GOODNIGHT ARK I sent her was too quiet. In that early version, the storm escalated and animals kept piling in, but there was no sense of rising action or urgency in resolving the night-time pile up. Except for the fact that the animals changed, the scenes were essentially static. In other words what the ark needed was an arc! The story still needed to be soothing for littlest readers, so I knew any tension/ rising action I infused had to be playful and fun. It took many hours of writing and re-writing, but I hope readers will agree that the final version with its ark tipping, bed crashing buildup and stinky, yet ultimately soothing, resolution is anything but static. I now analyse all my stories for effective rising action, climax, and resolution early on in the writing process. One way I do this is by making a 32-page dummy. That way it’s easy to see if your scenes are static as they build across 14 – 15 spreads or if there’s a sense of rising action etc. Plus, it’s a lot of fun, especially if you have little ones at home who like illustrating your dummies!
Don’t overload the decks. Noah’s ark was sturdy and well-planned with three decks, but though Noah may have been tempted to bring aboard extra animals, thank goodness, he showed restraint and took only two of each. Overcrowding would have put a strain on provisions. Worse yet, the ark might have capsized! Likewise, as a writer, I’m sometimes tempted to overcrowd my story with cute phrases and details that only weigh down the plot. During early stages of a project, I don’t worry about overwriting. My goal at that point is simply to build my story. Before I let it out of the port, however, I make sure to streamline the plot so every word and event pushes the story forward.
Everything’s better with a buddy. Noah didn’t try to build the ark all alone. His family cheered him on and pitched in with the building, providing much needed moral support amid the taunts and jeers of the onlookers. Likewise, I’ve found that the long, hard journey to publication just wouldn’t be the same without a nice support system. For me this includes my family, my lovely agent, and the wonderful network of like-minded children’s writers I’ve connected with over the years, many of whom have become dear friends and trusted critique partners. So, my last bit of ark-themed advice for staying afloat and giving your stories a floating chance, is to find a writing buddy or two to join you on the journey!
Don’t forget to enter the GOODREADS GIVEAWAY for a chance to WIN ONE OF FIVE COPIES of the board book edition of GOODNIGHT, ARK. Press HERE to enter. GIVEAWAY ENDS August 4th.
(NOTE: This post first appeared on the GROG blog as part of my first ever blog tour.)