There once was a child who loved to play make believe and every day, using her imagination, she created story worlds. Somedays, she was a pioneer traveling the prairie in a covered wagon. Other days, she was teeny tiny person living amongst the craggy roots of her grandmother’s old pine grove. And sometimes, she was a magic fairy flying through sparkle-mist clouds in a world full of dragons. Her storyline was always similar – young girl, headstrong and brave in the face of danger, forging new friendships in the midst of the unknown. What changed each day, or every few days, was the SETTING! And that, for the little girl, was what made all the difference.
That girl, if you haven’t figured out by now, was me and, as a picture book author, I’m still enamored with the power of SETTING to make a story shine. In fact, three of my six picture books began with quite ordinary settings. Goodnight, Ark began as a quite ordinary tale two storm-frightened children and a thunder-spooked dog all bounding into their parents’ very crowded bed. It wasn’t until I started playing with possible alternate settings – initially a hollow log in the woods – and ultimately Noah’s Ark – that the story really took off. And what made the difference that allowed my imagination to soar in new, creative directions? SETTING!
A similar switching-up occurred with Goodnight, Manger which began as the story of a hen trying to get her chicks to sleep in a typical barn setting. It wasn’t until I decided to make it a very special barn – the stable where Baby Jesus was born – that the story took shape in a fresh new way. Likewise, my picture book Love is Kind (Zonderkidz, August 8, 2018) began as the simple story of a small boy in a small town on a quest to get his grammy something for her birthday. It wasn’t until I made the protagonist an owl and set the tale in a magical woodsy setting, that the story took off.
Even though my opera-themed picture book, Diva Delores and the Opera House Mouse, was set in an opera house from the get-go and Little Ewe, likewise, was always set in a meadow, it’s still the settings that help those stories really take off. Indeed, as picture book author Susanna Leonard Hill remarked about Diva Delores and the Opera House Mouse in one of her lovely Perfect Picture Book Friday posts, “The fun of this book is in the setting – an opera house… Although the story is really about friendship, manners, and appreciation, the fact that it takes place in an opera house and involves operatic performance makes it educational as well as original and fun.”
In fact, for all my books (and yours too, probably), I would argue that the impact of carefully considering setting reaches far beyond just text and storyline. Fresh settings also open the door to fabulous illustrations because they allow illustrators, too, to stretch their imaginations and create spreads that are more unusual and fun than they might have been with more ordinary settings.
In Goodnight,Ark, for example, how much more fun is it to gasp at tigers jumping into a bed already crowded with sheep, wild boar and quail – than to see two small children and a dog crowding into a quite ordinary run-of-the-mill bed? Much more fun!
And in Goodnight, Manger how much more thrilling is it to see a frazzled mama asking a glorious array of angels, rather than geese, for example, to quiet down? Much more fun!
And doesn’t the special friendship between Delores and that Opera House Mouse seem that much more magical with the backdrop of velvet curtains and floral bouquets?
Finally, just look at these darling spreads from Love Is Kind and Little Ewe in which illustrator Lison Chaperon and Tommy Doyle each use their imagination, prompted by my settings, to create wonderful story worlds!
I don’t have any interior to show you yet from my next release BUNNY FINDS EASTER but you can take a peek on Amazon where you will see that a charming cottage setting enhances that story as well.
Because setting is powerful in the hands both author and illustrator, I think it’s important, as writers, to spend time contemplating how we might enhance our stories by taking full advantage of the setting. So, here’s my takeaway: If you find yourself stuck in a story, wondering how to make it stand out from the rest, why not take some time this week to play with setting. Maybe you will find, as I have, that a new setting might make all the difference! Happy writing all!
6 thoughts on “The Power of SETTING in PICTURE BOOKS”
What a lovely child your were, Laura. I think the child I was fancied herself the king’s daughter or something glamourous in frou-frou settings, never a tiny person or one in mortal danger. Yes, settings, vividly brought out by good art, are essential in all stories including picture books.
Oh, I love the word frou-frou! And hooray for all kinds of settings and imaginary play worlds.
It is such fun to learn how your original ideas for settings changed, resulting in amazing and fun stories. I’m inspired to try this.
Oh, wonderful! Let me know how it goes. =)
Thank you, Laura. I will.