AUTHOR SPOTLIGHT: A Chat with Laurie Wallmark in Celebration of her Latest Release – GRACE HOPPER: QUEEN OF COMPUTER CODE

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Today I’m delighted to have children’s author, Laurie Wallmark, as my guest. Laurie and I met several years ago at the NJSCBWI annual conference, and I’ve been impressed by her passion for highlighting the careers and lives of notable women in the science field.  Her first book, Ada Byron Lovelace and the Thinking Machine (Creston Books, 2015), celebrated the life of a 19th-century female mathematician who is considered to be the world’s first computer programmer.  Her newest book, Grace Hopper: Queen of Computer Code (Sterling, 2017) celebrates the life of Grace Hopper, a 20th century female trailblazer in the field of computer programming.  Grace Hopper: Queen of Computer Code is engaging, informative, and fun and has already earned strong reviews from Publishers Weekly, Kirkus Reviews and more. Welcome, Laurie and let’s get started.

Q: What inspired you to write Grace Hopper: Queen of Computer Code?

A: Since I teach computer science and am a former programmer, the early years of computing fascinate me. Grace was among the first computer scientists. I’m amazed at how her insight and creativity shaped the world of computers today

Q: There are so many fun – and fascinating – moments in this delightful picture book biography, including one particularly amusing moment involving a bug. What was your research process like? Were there any amazing moments where you discovered something completely new to you? 

A: It’s interesting that you ask about that computer bug. I had always heard that Grace discovered a moth in a computer relay, which caused her to coin the word “bug.” Well in doing the research, it turns out neither part of this sentence is quite true. Grace was not the person who discovered the bug, but rather someone on her team did. And as far back as Thomas Edison, the word “bug” was used to describe a glitch in a mechanical device. Grace was the first person to use the term “computer bug,” though. This is why research is so important when writing nonfiction for children.

Q: Most of your text is written in creative nonfiction, but on many spreads you also have special text that is set apart in large and colorful fonts. Can you share with us why you chose this distinction? 

A: Grace was known for her witty sayings, and the set-apart text contains some of the most interesting ones. Because not all of her quotations would easily fit as part of the story, we chose to separate them out like this.

Q: Katy Wu’s illustrations really enhance your text. I love the mid-century funky feel she creates in each spread.  What was it like to work with Katy?

A: In general, and that was true in this case, the author doesn’t work directly with the illustrator. Instead, my notes and suggestions went through my editor and the art director. I provided Katy with lots of pictures of Grace, computer equipment, and even a math problem to show on the blackboard. I was fortunate that Sterling solicited my opinions on the illustrations. That’s not common.

Q: Finally, teachers and parents are always looking for ways to tie picture books into the curriculum, and I think that’s especially true for a STEM rich book like this. Do you have any extension activities your readers might enjoy? 

A: On the teacher page of my website (http://www.lauriewallmark.com/teachers.php), I have a discussion guide for use with this book. Among other things, it includes the following activity:

Is there some gadget or gizmo you wish existed? Write the name of your invention and what it does on a blank sheet a paper. Draw a picture of what your invention might look like. Share you invention with your classmates and describe how it works. Listen as they explain about their own inventions.

Thanks so much for stopping by, Laurie.  I wish you the best with this remarkable new book.

Laurie-Wallmark-100dpi-4x6BIO:

Award-winning author Laurie Wallmark’s debut picture book, Ada Byron Lovelace and the Thinking Machine (Creston Books, 2015), received four starred trade reviews (Kirkus, Publishers Weekly, Booklist, and School Library Journal) and several national awards, including Outstanding Science Trade Book and the Eureka Award. It is a Cook Prize Honor Book. Her recently released picture book biography, Grace Hopper: Queen of Computer Code (Sterling Children’s Books, 2017), earned a Kirkus star and was well-reviewed in several trade journals. Laurie has an MFA in Writing for Children and Young Adults from VCFA. When not writing, she teaches computer science at Raritan Valley Community College.

Click here to join Laurie as she travels from blog to blog to introduce her picture book biography, Grace Hopper: Queen of Computer Code.

Follow Laurie on:
Facebook: https://www.facebook.com/laurie.wallmark
Twitter: @lauriewallmark
Pinterest: https://www.pinterest.com/lauriewallmark/

 

SOUR WASH CLOTHS: Wringing Out Our Stories to Perfection!

IMG_4272Nothing made my mother’s nose crinkle more than the smell of a sour washcloth. Her sense of smell was so strong that she claimed she could detect the scent of a sour wash cloth on a man’s face in an elevator. I’m a nose crinkler too, though I confess I’m not quite that discriminating.

Still, she trained me well and I so do my very best to remedy any and all sour wash cloth situations in our family.

The steps are simple and straightforward. First, to prevent a sour situation from the get-go, be sure to thoroughly wring out each wash cloth immediately after using.  Second, never put a damp wash cloth in the hamper. Instead, hang it to air day in a spot with plenty of ventilation.  Third, if you do discover a sour wash cloth, hope is not lost. You can do one of two things:  boil it, or get it wet, wring it out, and immediately zap it on high in the microwave for two minutes. (This works for sour sponges, as well.)

I’m thankful my mother left me so equipped with strategies for handling these nose-crinkling moments. I must also admit, however, that the very idea of sniffing out those sour smells, has gotten me thinking about writing.  After all nothing, and I mean nothing, pulls the reader out of the story more than a sour story moment.  Here, then, are four sour story moments that I am working diligently to wring out of my pieces before stepping into any elevators.  Get your noses ready!

Off Kilter Rhythm and Rhyme:  Nothing crinkles this reader’s nose faster than poorly executed rhyming text.  The hard truth is that telling a story well in rhyme is hard. Not only must the rhyming be perfect, so must the meter.  To shine, the rhymes must be unexpected and not forced and the sentence structure should never be inverted to make the rhyme work.  Also, to be effective, the content of the poem or story must always come first.

Story Stoppers: This is a sour source I’ve been working hard to eliminate a lot lately.  So, what’s a story stopper?  A story stopper is anything that takes the reader out of the moment, that removes them from the world you have created in your story.  It could be inconsistency of voice, or a plot moment so unbelievable that it makes the reader stop mid sentence. Perhaps it’s simply a word or phrase that feels out of character for a particular story’s world.  It could also be a grammatical gaffe or an erroneous assumption or fact that makes the reader question the whole world you’ve created.

Too Much Description: In early elementary school my kids were taught to make their sentences pop by adding vivid adjectives and adverbs. This strategy works well for that age group. However, as adults, with full-grown vocabularies, our sentence popping strategy needs to shift from descriptive to active. Instead of “ big heavy rock”  try “boulder” or “chunk”. Instead of “walk slowly” how about “amble” or “traipse”  or “poke”. With well-chosen nouns and verbs, pieces for youngest readers will pop without being overly wordy.

Heavy-handed Message: In my opinion, a heavy-handed message zaps a story of all fun and naturalness. (I’m embarrassed, in fact, in hindsight, at how heavy-handed the earliest stories I submitted to magazines were.)  All good stories, of course, by their very nature, have some sort of take-away but, when done well, the message is subtle and the story comes first.

Now it’s your turn.  What sour wash cloth story moments would you add to this nose-crinkling list? I’d love to hear your thoughts in the comments below.

Happy Writing Monday, all!

READ. DISCUSS. DO! New Social Media Campaign Celebrates READING and BEYOND!

RDDMooseThis week my author friend Rebecca J. Gomez (WHAT ABOUT MOOSE? (Atheneum, 2015) and HENSEL AND GRETEL: NINJA CHICKS (G.P. Putnam’s Sons, 2016)) shared with me a  wonderful new reading campaign she and her co-author Corey Rosen Schwartz are working on called Read. Discuss. Do!

Read. Discuss. Do! (hashtag #ReadDiscussDo) celebrates reading beyond the book by creating sharable images that give simple ideas for book related discussions and activities. Rebecca got the the idea after creating an image specifically for their co-authored book WHAT ABOUT MOOSE? (pictured above) in the hopes that it would encourage people to think beyond the story when reading with kids. However, when Corey saw the original image, she and Rebecca decided it would be fun to take the idea further and include other authors and their books!

That’s when Rebecca contacted me to see if I’d like to create a short #ReadDiscussDo activity for GOODNIGHT, ARK.  I replied, yes, of course. And so Rebecca created an image for my book as well. Thank you, Rebecca.  The format is similar to her original except she’s replaced her website address with the hashtag #ReadDiscussDo.

RDD Goodnight ArkRebecca hopes this fun reading initiative and social media campaign will really take off, reaching parents, caregivers, teachers, librarians and more.

How can authors, parents, teachers, or librarians get involved?  By tweeting and retweeting and sharing on Facebook, Pinterest etc. using the hashtag #ReadDiscussDo. We can also post story time tips using that same hashtag.  Rebecca will also be creating more sharable images for other books. If you’d like to learn more, contact Rebecca via the “School Visits” tab of her website.

Finally, I’ll end with a little hashtag hunt.  Head on over to Twitter or Facebook, type in #ReadDiscussDo and see what you find.  Have fun!

REVISION REQUEST! HOORAY! Now What? (One Author’s To-Do List)

I’ve been so busy revising a picture book manuscript this past week, per an editor’s request (yay!), that I didn’t think I’d have time to write a blog post. Then I realized it might be interesting and maybe helpful if I shared my process.  So, here’s a list of what I have done over the last several days.

  1. Printed out a fresh, clean copy of the story I’d submitted.
  2. Read and re-read it several times, over a period of a day or two.
  3. Pulled up every earlier version of the story in question and read and re-read each as well looking for nuggets to possibly re-work into my revision.
  4. Brainstormed revision ideas in my notebook and recorded snippets of inspiration – possible new rhyme pairings and plot escalations – using the notes feature on my iPhone.
  5. In several sessions, separated by self-imposed time filters (i.e. walks, dishes, school work etc.) I wrote and rewrote until I had something I felt good about.
  6. Sent my revision-in-progress to a couple of trusted critique partners.
  7. Repeated step five and six as needed (and it was definitely much needed).
  8. Celebrated with a happy dance when, at last, I had a revision that I was really happy with.
  9. Resisted urge to send it right away to my agent – knowing that one extra time-filter can never hurt.
  10. Spent afternoon diverting myself by volunteering at our local history museum’s Sheep to Shawl Festival.  That littlest one is only two days old, by the way.
  11. Finally, after one more read through, I wrote a note to my agent and got my revised story ready to email first thing Monday  morning.

What would you add to the list?  Happy revising!

THE TEL OF THE JRAGIN AND THE GOL: Five PICTURE BOOK Writing Tips from a Four-Year Old!

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“The Tale of the Dragon and the Girl” by W, age four

Look what I found today while rummaging through the third drawer in my desk. It’s the first book my son ever wrote – as a four year-old.  He’s written other things since, but this was the first. (Yeah, I know. The apple doesn’t fall far from the tree.)

I remember the day well.  My son announced one morning that, like me, he wanted to be a writer and that he was going to write a book. Next thing I knew, he had planted himself at the dining room table with paper and pencil. Then he wrote and wrote. He didn’t stop until he was finished. Once he did, he didn’t let me peek. Instead he ran to our craft drawer and grabbed construction paper for the book cover.  With my help, we stapled the book together. Then, and only then, did he let me read it.  I needed his help the first time through, but his imagined spelling makes total sense to me now and I love how he didn’t let his lack of spelling knowledge keep him from expressing himself.

Here’s the story.  I’ve translated it in the captions, but just for fun, see if you can figure it out for yourself first.  Then, take a moment to think about my writerly takeaways from this authentic 4-year-old writing sample.  Enjoy!

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“You might not think that nothing might happen to Annie, but something happened to her.”

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“It happened by a dragon.”

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“We don’t know why the dragon took her.”

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“The dragon took her because it was hungry.”

I find this writing sample especially fascinating because it reveals one four-year-old’s perspective on what makes a winning picture book. Now, inspired this find, here are five characteristics of effective picture books – as seen through the writings of a four-year-old.

TIP #1: Have an attention grabbing title. I just love W.’s title.  I mean who wouldn’t want to read a tale of a dragon and a girl?  For me, at least, it immediately evokes fairy tales and magic. So, here’s my takeaway. What’s the first glimpse you get of a book sitting on the shelf at the library?  The spine of course. And on that spine you’ll find the title. So, using my son’s catchy title as an example, I think it’s worth considering that if want your book to stand out, a catchy title is a must.

TIP #2: Employ suspenseful page turns.  Even at age four, W. understood the power of a page turn.  He even included page numbers within his text. And if you carefully examine story, you’ll see that each page ends with a little tease – almost a cliff hanger.  This, I believe, is a reflection of something he enjoyed most as young partaker of picture books – the power of a suspenseful page turn. As you analyse your own work-in-progress, be inspired by W. and take a moment to consider how well-placed page turns can enhance your story.

TIP# 3: Keep your text sparse but active. You have to admit W.’s text is pretty lean.  There’s no fluff to be found. Every word he uses pushes his four-year-old story forward.  In fact, his story is almost blunt in its intensity. Likewise, as we write our stories, we need to to shed every word that doesn’t push the story forward – relying on meaty verbs and vivid nouns to bring our tales to life.

TIP #4 Create conversation sparking content. You can almost sense that one of W.’s favorite parts of reading picture books as a preschooler was the conversation that each page sparked.  We never just read a story through. Instead, we asked each other questions, pondered the pictures, and wondered what might happen next.  W.’s text almost reads as an answer to those questions.  As such, his wording is a great reminder to the picture book writer in me that I, too, want to make sure my stories open themselves to lots of interactive reading.

TIP #5 Don’t forget the conflict! Even as a four-year-old, W.’s writing reveals that he had a strong sense of one of the fundamentals to a good story.  Conflict!  A good story needs to have a problem that the character faces, learns from, and hopefully overcomes.  Poor Annie was eaten, but we as the readers, figured out why.  It’s because the dragon was hungry and hopefully, from now on, you’ll steer clear of hungry dragons.  But seriously,  W.’s story is a good reminder that, like dragons, children do indeed hunger for good stories with plenty of action, conflict, and excitement.

Happy writing, all!

GUEST POST: ZOOMA-ZOOMA-ZOOM! Onomatopoeia with Picture Book Author and Poet Elizabeth Upton

This week, coinciding with National Poetry Month, I am delighted to have picture book author and poet Elizabeth Upton as my guest.  I met Elizabeth at KidLitTV’s Live Stream Read Aloud event last month and had the pleasure of listening as she read aloud her delightful debut, MAXI THE LITTLE TAXI, illustrated by Henry Cole and published in 2016 by Scholastic.  It’s a fun and bouncy story with spot-on rhythm and rhyme.  It’s also full of wonderful poetic elements and I’m delighted that Elizabeth has agreed to pen this post on one of my favorites – onomatopoeia! Take it away, Elizabeth!

It’s an honor to be asked by Laura Sassi to be a guest blogger during Poetry Month. I love poetry. Happily, my poetry has been in three collections by the amazing Lee Bennett Hopkins. My picture book, MAXI THE LITTLE TAXI, features poetic elements including rhythm, rhyme, repetition and word play. I was thrilled when the School Library Journal review that said MAXI THE LITTLE TAXI “is filled with onomatopoeia and amusing details sure to delight young readers.” Onomatopoeia [on-uh-mat-uh-pee-uh], according to the Merriam-Webster online dictionary, is “the naming of a thing or action by a vocal imitation of the sound associated with it (as buzz, hiss)”. Children love to imitate, so this aspect of poetry is very easy for them to access.

In my book, it’s Maxi’s first day of work and off he goes!

Max ZIPPED here.

He ZIPPED there.

He ZIPPED everywhere—

From the park, to the river,

And back to the square.

He ZOOMED up.

He ZOOMED down.

He ZOOMED all around town—

Splashing in every big puddle he found!

All over town Maxi gets filthy and he finally arrives at a carwash full of playful sounds. Onomatopoeia is one of the driving forces that keeps the story moving in a fun and engaging way.  For example, the spray at the car wash goes “pish-pish”, the scrubbers to “flip-flop”, and the suds go “blip-blop”.

I hope that adults enjoy the lyricism and onomatopoetic playfulness of this story as much as children do. When you’re done reading, you may want to engage in word play with the child in your life.

IMG_3152Car and Truck Onomatopoeia: Anyone who has seen children play with cars and trucks, has witnessed their innate ability to use onomatopoeia (honk, honk, beep, beep). When children naturally use onomatopoeia, adults can say, ”Oh my! That’s a fun sound! That’s sounds like a little poem.” Make sounds with the child.

Bath Time Onomatopoeia: Maxi the Little Taxi is a bath poem. When children play in the tub ask them to think of what sounds they hear. Ask: “What sound does the water make when you fill the tub? What sound do your feet make when you get in the water? What sound does is make when you use the soap? What sound does the drain make when the water goes down?” (Examples: Whoosh, plip plop, drip drop drip, rub a dub dub, gurgle gurgle.) Then say: “Let’s make a lot of bath noises all in a row to make a little poem!”

img_3853Rainy Day Onomatopoeia: A rainy day is the perfect time to play with onomatopoeia!  Ask: “What does the rain say when hits the roof? What does it sound like on the window, etc.  Let’s say those fun little sounds all in row and make a little poem.” ( Example: Drip drop..plippity plip,plicka plicka plick!)

Read more picture Books with Onomatopoeia. Type “Picture Books with Onomatopoeia” in your search bar and you will find many resources.

Thank you for reading my guest blog! I hope you enjoy reading Maxi the Little Taxi with the children in your lives and that you have fun nurturing their natural poetic sensibilities!

IMG_4008 (1)Elizabeth Upton is the author of Maxi the Little Taxi which was published by Scholastic Press in spring of 2016. Her poetry appears in the following collections by Lee Bennett Hopkins. 

Seasons, Margaret K. MacElderry Books (“Spring Sun” and “Summer Sun”)
Incredible Inventions, Greenwillow Books (“Ferris Wheel”)

Hamsters, Shells and Spelling Bees, Harper Collins [I Can Read! ] (“Show and Tell”)

For more information, please visit Elizabeth at Elizabethuptonauthor.com.

 

AUTHOR-ILLUSTRATOR SPOTLIGHT: A Chat with Mary Morgan in Celebration of PIP SITS

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Author-Illustrator Mary Morgan’s newest book, PIP SITS  (I Like to Read®), released last month. Published by Holiday House as part of their I Like to Read Series, it’s the sweet story of Pip, a porcupine, and the little ducklings who think he’s their mama. PIP SITS has received some lovely reviews.  Kirkus Reviews calls it “A good read for hatching new readers” and SCHOOL LIBRARY JOURNAL compliments Mary’s illustrations as “endearing”.  I’m thrilled today to have Mary as my guest. Thank you for joining us, Mary!  I believe this is the first time I’ve had an author-illustrator here to chat about a book!  Well, let’s get started.

What is the inspiration behind PIP SITS?

 I was inspired by an antique photograph of a young girl sitting in the grass with many ducklings on her lap. The look on her face was pure joy. I tried to find an original idea that would also capture the bliss children have when relating to animals. I thought about birds imprinting on whoever they first see when they hatch. I have raised baby birds and it is very interesting to have a tiny bird imprint on you. So this was how the idea of the story was hatched.

How wonderful for your readers, Mary, that you had the creative instinct to write a story based on these bits of inspiration. 

PIP SITS is not your first book. Tell us a little bit about your journey as an author/illustrator.

I was born in Chicago and grew up in Kansas City. My summers were spent in Tulsa with my grandmother where I first took art classes at the Philbrook Art Gallery and later was an assistant art teacher. I could do what I loved there, draw! My grandmother always encouraged my art with trips to the ballet and art museums. She let me keep all kinds of animals to draw from: mice, guinea pigs, chicks and even a small bat. My father’s nightly readings of Charlotte’s Web, Stuart Little and the Wind in the Willows also inspired me. I was enthralled by these books and knew I wanted to create books too.

What a wonderful way to grow up!  And I’m so glad you listened to that inner voice that said “I want to create books too!”

Since you are my first author-illustrator, I know my readers will be extra interested in hearing what your process was like as both author and illustrator in creating this story.

I wrote the story in a rough form first. Then I made many character sketches of Pip, the porcupine. After this, I imagined the scenes in the book. I drew very rough ideas of what the images would look like on each page.

Then I rewrote the story many times working out all the details. When at last I was content with the story I did the finished drawings.

I find it interesting that you wrote the story first.  I, for some reason, imagined that you would begin with sketches. But, I can see that both are integral in your creative process.  Fascinating!

Teachers and parents are always looking for ways to tie picture books into the curriculum or extend the enjoyment with post-reading activities. Do you have any extension activities your readers might enjoy?

 My web site is www.marymorganbooks.com. On my web page there is a section called, fun page. There I show you how to make dragon pizzas, draw a dragon and help Little Mouse find another place to sleep. Here is an example…

In the book, Sleep Tight Little Mouse, Little Mouse found many places to sleep. He slept upside down with bats in a cave, inside kangaroo pouches and even in a bird’s nest. Can you think of other ways animals sleep that Little Mouse might like to try?
Make a drawing of him sleeping like these different animals.

That “Fun Page” is a treasure, Mary. I also did a little poking around, Mary, and discovered a terrific  educator’s guide for PIP SITS available at Holiday House.

Finally, what’s next? Are there more picture books and projects in the pipeline?  Also, where can interested readers find your books and other work for sale?

I have many projects I am working on. One is a fantasy about a young girl that migrates with the Monarchs. I hope this story will bring interest to the difficulties the Monarch Butterfly is having with its environment. I am also working on a book about a bilingual bird and another about magical tutus. My books can be bought on Amazon.com.

Thank you so much for joining us, Mary! 

About the Author

Mary walkingAfter studying art at the Kansas City Art Institute and the Instituto de San Miguel de Allende in Mexico; Mary worked as an illustrator at Hallmark cards for ten years.

Mary illustrated her first book in 1987. In the past twenty years she has illustrated over forty books, many of which she also wrote: from Jake Baked a Cake, Sleep Tight Little Mouse to her most recent book, Pip Sits.

Mary and her husband divide their time between France, their home is in a small medieval village, Semur en Auxois, their sailboat, which is now in The Canary Islands and their families, especially their grandchildren!

 Web site: www.marymorganbooks.com

CREATING AND CONNECTING: One Picture Book Author’s Journey

laurasassi5In January the editor of my alumni magazined asked if I might be interested in writing a piece for their new essay series on the Princeton Alumni Weekly website called “Voices”.  My name came to his attention because of my blog (just in case you’ve ever been torn about the benefit vs. effort of keeping a blog), and he asked if I might be interested in writing something about my experiences as an author of children’s books.

I said yes.  And today that piece is live! Titled “Creating and Connecting: One Picture Book Author’s Journey”, the essay is about how my passion for story has opened my heart and broadened my sense of community.  I’d be honored if popped on over for a read. Happy reading all!

 

GOOD NEWS: New Picture Book Deal!

IMG_3148I’ve been keeping this news to myself for some time now, but the announcement ran in Publishers Marketplace today, and I even spotted the book listed on the Target website, so I think I can finally spill the beans!

Here it is:

“Laura Sassi’s LOVE IS KIND, in which a little owl searches for the perfect gift for his beloved grandmother and learns about love along the way, illustrated by Rosalinde Bonnet, to Barbara Herndon at Zonderkidz, for publication in December 2018, by Lara Perkins at Andrea Brown Literary Agency for the author (World).”

And now, in celebration, have a virtual nibble from one of these adorable cookies baked by Miss A. (She sure knows how to decorate a cookie!)

Here’s my writerly takeaway from this latest fun news: Keep writing.  Keep subbing. Keep honing your craft. Be true to yourself and good things will come. Happy writing all!

Celebrating THE GREEN UMBRELLA: 10 Extension Activities!

This week I’m sharing yet another ADORABLE new picture book out just in time for Valentine’s Day. Written by Jackie Azua Kramer and charmingly illustrated by Maral Sassouni in their double debut, THE GREEN UMBRELLA (NorthSouth Books, Inc, 2017) is story of a friendly pink elephant, his green umbrella, and the imaginative friends he meets along the way.  Treat yourself to the delightful book trailer. Then help yourself to a rich serving of extension activities celebrating rain, friendship, sharing, and the power of imagination!

 

THE GREEN UMBRELLA:  10 Extension Activities 

Make umbrella valentines. With its theme of friendship and kindness, The Green Umbrella makes a perfect Valentine’s read.  Afterwards, celebrate friendship and kindness with your child by making these cute umbrella-inspired valentines using colorful paper, index cards, and those mini candy-canes that you might still have left over from Christmas!   

img_3858Be an inventor. After enjoying the story, extend the fun by having your child imagine how THEY might creatively re-purpose the umbrella if they were in the story.  Then using paper or clay, or whatever materials tickle your fancy, bring your idea to life!  (For extra fun, have have a few cocktail umbrellas on hand to be incorporated into the creation.

Put on a play.  Creatively re-enacting the story is a great way to embrace and reinforce the wonderful concepts of empathy, friendship, and imagination.  So, after reading the story, have fun retelling it using stuffed animals, puppets, or yourselves!  Don’t forget to use an umbrella as a prop!

img_3855Have an umbrella tea party. With your child’s help, fix a pot of tea (or lemonade) and arrange (or even bake) a plate of cookies.  Then grab a picnic quilt, an umbrella and, if possible, a few friends! Select a cheery spot outdoors (or indoors if it’s raining), then read and have tea under an umbrella, just the way Elephant and his friends do in the story.

IMG_3853.jpgTake a rainy day stroll.  Take advantage of the next rainy day to read the story and then take your very own stroll in the rain.  Catch rain drops on your tongue, splash through puddles, and take turns holding the umbrella for each other!  Then come inside for a book-themed rainy day snack of tea and cookies.

img_3851Shower the world with kindness (umbrella style!). Using little strips of paper brainstorm and write down 14 sweet acts of kindness.  (Ex. Hold the door open for someone; Make a card for someone; etc.)  Fold and tape the strips to the bases of little paper cocktail umbrellas.  Place umbrellas in a bowl. Each day, select an umbrella to find your surprise mission.  Then shower strangers and loved ones alike with your sweet acts of kindness.

Play umbrella hide and seek.  While one person has their eyes covered, another hides the umbrella making sure everyone else sees where it is hidden.  Then using clapping (to sound like soft rain or a raging storm) help the person whose eyes were covered to find the umbrella.  No voices allowed.  Only the pitter-patter of rain – soft if they are far from the umbrella and loud if they are close. (Warning:  This game will be a big hit!)

Play musical umbrella.  First put on your favorite children’s kindness/friendship themed album.  (We like anything Raffi at our house.)  Then, using the umbrella instead of the more traditional “hot potato”, sit in a circle and gently pass the umbrella to the music. When the music stops, everyone says one kind thing to the person holding the umbrella. Ex. You are funny.  I like your striped socks.  You make me feel welcome etc.)

Watch the book trailer. Then make your own!

Your turn!  I know I said 10, but I have a better idea! I bet you might have some, so in the comments section below, leave an idea and let’s see how many we end up with!

Happy Valentine’s Day and Happy Reading! 

To learn more about Jackie, visit her website.

To learn more about Maral, visit her website.