‘TWAS THE EVENING OF CHRISTMAS: A Joint Interview with Author Glenys Nellist & Illustrator Elena Selivanova (And a GIVEAWAY!!!!!)

 

Today, I’m thrilled to be a part of the ’TWAS THE NIGHT BEFORE CHRISTMAS blog tour. At this stop, I’m pinching myself because I get to host author Glenys Nellist and illustrator Elena Selivanova in their first ever joint interview!  It’s always a treat to interview an author or an illustrator, but it’s extra special to have both chiming in at once, especially since Elena lives in Russia and speaks Russian! 

ABOUT THE BOOK: ’Twas the Evening of Christmas, written by Glenys Nellist and illustrated by Elena Selivanova and published by Zonderkidz, echoes the familiar language and rhythm of Clement Moore’s beloved poem, but instead of focusing on Santa, it focuses on Baby Jesus, who is, after all, the true hero of Christmas.

Get a preview with the book trailer, then join us for the interview below, which has been edited for clarity. I thank both women for joining me and apologize if anything was lost in my understanding of the translation.

Thanks so much for joining us today, ladies. Well let’s get started with my questions bolded.

Question #1: Please tell us a little bit about yourselves and your journey into the world of children’s book writing/illustrating.

Elena: Ever since I can remember, I have always drawn. Perhaps, it was predestination? I was born in Siberia, but grew up south of Kazachstan.  Later I moved to Moscow, where I had an excellent education at the Moscow State University of Printing Arts which gave me incredible freedom and confidence. I studied world literature, the theory of composition, fine art, history of religion, material culture, history of costume and more. 

What a rich background you bring to the drawing table.  No wonder your illustrations sing. And let me also add from the book flap that Elena has worked for twenty years in children’s book illustration and has illustrated over 100 books!

Glenys: I have loved reading, writing and anything to do with words ever since I can remember. It all began at primary school in England, where one day a week, I was one of the lucky few withdrawn from the classroom to sit in big, comfy armchairs in the teachers’ lounge and write. When I became a primary school teacher myself, I wrote poems and stories to use in my classroom, but it wasn’t until my husband and I came to pastor a small church in the United States, that the publishing world opened up for me. It was at that little church that I began to write my own curriculum, to be used in children’s ministry, and pretty soon had this crazy dream of writing a children’s storybook Bible. It was a dream that would take me ten years to fulfill, but it was worth pursuing!

And I’m so glad you followed that dream, Glenys!

 Now, Glenys, can you tell us a little bit about the inspiration behind the story?

Glenys: Well, I’m sure like many families, when my four sons were young we would gather round our candle-lit Christmas tree on Christmas Eve and read the much-loved words of Clement C Moore’s ‘Twas the Night Before Christmas. Even though we only heard it once a year, it’s such a classic poem that we all knew it by heart. When I began writing for children, that poem popped up in my memory and I wondered if I could rewrite it, using Moore’s familiar rhythm and rhyme, but instead of basing the story around Santa, it would be based on Jesus—the real hero of Christmas.

Elena, your magnificent illustrations bring beautiful fullness to the book. What drew you to Glenys’s ’TWAS THE EVENING OF CHRISTMAS story?

Elena: Probably this is the most exciting and magical story in world literature
and Glenys’s delightful accents gave a powerful impetus to the work.

And you did a glorious job!  I just love how your intricate illustrations bring Glenys’s text to life in a special way on each spread.

And now a question for both of you: What would you like readers to take away from this story?

Elena: Serenity and peace.

Glenys: I never intended this story to replace the Christmas classic, but I hope that it might be used alongside it, so that little ones won’t lose their focus on the One who would change the world. I hope they take away a real sense of the love God has for them, in sending baby Jesus to earth.

Your shared story is indeed a wonderful companion piece for the Christmas season.  I will be reading your delightful collaborative work with my Sunday School classes in a couple of weeks and I can’t wait to see their eyes light up as the story unfolds in this charming new way.

Finally, since this book celebrates Christmas, do you each have a favorite Christmas tradition that you’d like to share with our readers?

Glenys: I am from England, where my four sons grew up, and so our Christmas traditions are quite different to those in the USA! (For example, in a British home, you won’t find folks decorating cookies….you’ll find them making mince pies!) But I think my favorite tradition has to be pulling Christmas Crackers at the dinner table before we eat our turkey, sprouts and roast potatoes! I think you might know these as ‘poppers’. The idea is that two of you grasp both ends of a cracker and pull. It ‘pops’ open and you get to keep what’s inside. There’s always a corny joke or two, a little plastic toy, and the iconic paper hat, which everyone in England wears for Christmas dinner. Here’s the photo to prove it…163726_186641114681398_450526_n

Elena: Every year my family waits, as eager as children, for the arrival of a huge Christmas tree (see picture below).  It’s a sparkling tree and the most charming sight ever.  It’s a great tradition in my family! 

Christmas tree

Thank you, again, Elena and Glenys, for chatting with me!  Zonderkidz sure knew what they were doing when they teamed you up for this book!  Blessings to both of you as we celebrate the Christmas season.  

Find out more about Glenys and her books here: Author Website

 See more of Elena’s beautiful art work here:  Elena Selivanova at Beehive Illustration

NOW for the GIVEAWAY!!!  

If you’d like a chance to win a FREE copy of ‘TWAS THE EVENING OF CHRISTMAS, written by Glenys Nellist and illustrated by Elena Selivanova, let me know in a comment below. (NOTE: Must be U.S. resident with a street address (as opposed to a P.O. Box at least 18 years old to enter.) The giveaway ends Thursday, 11/30/17 at 11:59 pm EST. The winner will be announced on Friday! The GIVEAWAY is now over. A winner has been selected. Thank you to all who entered.  

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AUTHOR SPOTLIGHT: A Chat with Carol Gordon Ekster in Celebration of the release of her newest book YOU KNOW WHAT?

YouKnowWhatbookcoverPlease join me in welcoming four-time picture book author Carol Gordon Ekster as we chat about her newest book YOU KNOW WHAT?, illustrated by Nynke Talsma and published by Clavis, a Belgian publisher, about a little boy who’s doing his very best to postpone bedtime by asking lots of questions.  Her other books include RUTH THE SLEUTH AND THE MESSY ROOM (Character Publishing), BEFORE I SLEEP, I SAY THANK YOU (Pauline Press and Media) and WHERE AM I SLEEPING TONIGHT?  (Boulden Publishing) Take a look at the YOU KNOW WHAT? book trailer below, then enjoy the interview that follows, with my questions in warm blue to match the book cover..

 Question 1: First of all, welcome, and congratulations on this latest book.  What inspired you to write YOU KNOW WHAT?

I love writing on planes…the confinement, the focus…my mind flies off into its best creative space. So there I was, in August 2014, on an airplane to meet my grandson two days after he was born. My laptop was on the tray and I was working on a story. I heard the child in front of me say to his parents, “You know what?” And my fingers immediately started typing a new document. That day I began brainstorming, more of a cause and effect exercise with every sentence beginning with, “You know what?” But when I returned home and began the real work on that draft, it developed into a conversation between a mother and son where Oliver uses the repeated, “You know what?” to postpone his bedtime.  The story wasn’t planned, it came to me like a gift. I wonder if I hadn’t been in that exact seat or not heard this child’s “You know what?” would I have picked it up somewhere else? I think catching the right story idea is a miracle!

I think you were meant to be sitting in that exact spot.  What a wonderful example of being intentional and ever on the look-out for story sparks. 

Question 2: Did you always want to be a writer? Tell us a little bit about your writing journey.

No, I did not always want to be a writer! Writing is hard. I was passionate about teaching and lived and breathed it most of my life as a fourth grade teacher. There was little room for anything else. Then my last seven years before retirement, writing snuck in like a welcome surprise. The need to write came over me at the beach one day. I felt taken over and had to walk to my car to get post-its, the only thing I had to write on, and a pen. I came back to my seat on the sand to write my first picture book. It was never published and unless it undergoes major revision, will never be sold. But that was the first of many. I started writing late in life and am making up for lost time.  It was the 20th manuscript that I wrote that was the first to sell. Starting to write while teaching was a sweet beginning into this journey because I got to share it with students. I became a better teacher and a better writer and I believe my students became better writers because they saw the writing process in action. They were my first critique group! Now retirement gives me the time to live and breathe writing. It’s such a great second career in that I get to continue communicating with children, but I can do it anywhere and on my own schedule.

Your journey into writing is inspirational and a lovely reminder that writing is a craft/career that one can hone and develop at any age.  

Question 3: Most books by American authors are published first in English and then, if we are lucky, they get translated into other languages.  But YOU KNOW WHAT? was first published in Dutch!  Tell us a little bit about that process. 

This process was definitely a little scary! The Dutch version came out in December 2016. I couldn’t help in its promotion, see it bookstores, check Amazon’s Author Central to know how it was selling. I had to trust in Clavis Books. I was excited at the possibility of extending my readership. And Clavis brings their books to all the international book fairs, which is wonderful. Both Chinese and Korean publishers already bought the rights. My other books have never been translated into another language, so I’ve been ecstatic. The English version came out September 1, 2017 and now I can get involved in marketing and help spread the word…like right here with you.

And here’s the Dutch cover so our readers can see what that version looks like.  

BookCover-MamaWistJeDatQuestion 4: Teachers and parents are always looking for ways to tie picture books into the curriculum or extend the enjoyment with post-reading activities. Do you have any extension activities your readers might enjoy?

Yes! I have activities, as I do for all my books, on my web page. I am a teacher first and foremost and as I’m writing a book I’m often thinking of extension activities and asking myself questions like will this work for a mentor text for strong verbs, alliteration, etc. With YOU KNOW WHAT? someone in my critique group suggested a different ending, which left things open ended. I loved that and immediately knew I’d make a sheet that children could fill out with what they thought that last “you know what?” might be. And I got the sweetest e-mail from a winner of the Shelf Awareness giveaway. She read the book with her five year old granddaughter with her granddaughter reading Oliver’s part while she read the mother’s part. Because YOU KNOW WHAT? is entirely a dialog between Oliver and his mom, the book lends itself to that kind of readers’ theatre. I hadn’t thought of that and was thrilled to learn of another way to read this book.

Here is the link where you can find language arts, math, creative arts, dramatic play, and gross motor activities that coordinate with the book.   Terrific!

 Question 5: Finally, what’s next? Are there more picture books and projects in the pipeline?  Also, where can interested readers find your books?

I recently sent out my 80th manuscript. And I have SO many more on my desk top in varying degrees of readiness to be sent out to publishers. I am not yet agented so I do research about where to send my stories and then send them out on my own. I am hopeful there will be more published books in my future.

As far as where readers can find my books, I love supporting local bookstores. But if that isn’t an option, you can find the book at all e-tailers. Also, I love public libraries and am an avid user myself. You can ask your library to get the book for you if they don’t already have it.

Wow!  80 manuscripts.  Now that’s something to aspire to.  Thank you so much for joining me here today, Carol.   And readers, here’s how you can learn more and connect with Carol:

Goodreads  https://www.goodreads.com/author/show/1867583.Carol_Gordon_Ekster

Twitter  https://twitter.com/cekster

Facebook  https://www.facebook.com/cekster

Group blog: https://writersrumpus.com/author/cekster/

Carol's professional photo for booksAbout the author:

Carol Gordon Ekster taught elementary school teacher for 35 years.  Her first published book, Where Am I Sleeping Tonight?-A Story of Divorce, Boulden Publishing, 2008, was an About.com Readers’ Choice 2012 finalist for Best Children’s Book for Single Parents. The Library Is The Perfect Place”, was acquired by Library Sparks magazine, 2010.  A picture book, Ruth The Sleuth and The Messy Room, was on Character Publishing’s debut list, 2011 and was awarded the Children’s Literary Classics Seal of Approval.  Her picture book, Before I Sleep: I Say Thank You, Pauline Books and Media, released January 1, 2015 and is now in its third printing. The book was the 3rd place winner in the Catholic Press Association’s 2016 Book Awards in the children’s category and was a finalist for the ACP Excellence in Publishing Awards 2016. Her first e-book came out spring 2015 as part of a digital library with Schoolwide, Inc. Her new book, You Know What? with Clavis Books came out first in Dutch, December 2016, and the English version released September 1, 2017. Korean and Chinese versions are in the works. Carol spends time in critique groups, doing exercise and yoga, and working on her books.

FUN MAIL: Picture Book Proofs!

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Look what arrived on my porch yesterday afternoon! A package from Sterling containing the proofs for DIVA DELORES AND THE OPERA HOUSE MOUSE!  I’d seen the illustrations in little images on my computer screen, but seeing them full size and on paper makes my heart sing!

My daughter and I spent a nice long while exploring each and every page and enjoying all the little details that I hadn’t noticed before, such as Rebecca’s wonderful use of scratchy strokes to capture the old opera house floors and Delores’ extremely expressive whiskers.

Next stop, (I think), the printer!  Thank you, Sterling, and thank you, Rebecca Gerlings, for making this project a reality. I can’t wait for this Diva and her charming Opera House Mouse to make their debuts.  (Only 5 month and two weeks from now, but who’s counting? =) )

COVER REVEAL: Diva Delores and the Opera House Mouse (Sterling, Spring 2018)

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Today I’m delighted to share with you the cover for my next book, DIVA DELORES AND THE OPERA HOUSE MOUSE (Sterling Children’s Books, Spring 2018), which is scheduled to hit bookstores everywhere this coming March.  Illustrator Rebecca Gerlings has a gift for whimsy and I LOVE her depiction of Delores and Fernando, the mouse.  I’ve seen the inside too and each and every illustration makes me want to sing!  (But, don’t worry, I’ll refrain from letting loose my vibratto.) Instead, I’ll just say, “Thank you, Sterling Children’s Books, for pairing us together and thank you, Rebecca, for bringing this story to delightful life with your illustrations.”

This book is now available for pre-order at several online retailers, should you happen to want to reserve a copy.

GOOD NEWS: Picture Book Deal!

DIVA announcement pic

I’ve been keeping this to myself for some time now, but the announcement ran in Publishers Weekly today, so I think I can finally let loose my vibrato!

Per their announcement, DIVA DELORES AND THE OPERA HOUSE MOUSE is “an ode to artistic collaboration, starring an opera-loving mouse who wants to help and the diva who thinks she deserves bigger help than a mouse.” It’s scheduled for publication by Sterling Children’s Books in Spring 2018 and is illustrated by British illustrator Rebecca Gerlings. I’ve already seen sketches and several spreads and I am over the moon with delight!  I can’t wait for this book to release!

For the official announcement, press here.

Those of you who have enjoyed participating in Tara Lazar’s STORYSTORM, formerly known as PICTURE BOOK IDEA MONTH, might be encouraged know that this was the very first idea on my 2011 PiBoIdMo list! It took several years and many, many revisions until it was finally ready to submit, but persistence (and patience) paid off!

Happy Thursday all!

AUTHOR and ILLUSTRATOR SPOTLIGHT: A Chat with Pepper Springfield and Kristy Caldwell in Celebration of their newest release: BOBS and TWEETS PERFECTO PET SHOW

Today I am delighted to be doing a joint interview with early reader author Pepper Springfield and illustrator Kristy Caldwell. Last spring this dynamic team made their debut with Meet the Bobs and the Tweets, their first book in the new BOBS AND TWEETS series for emerging readers published by Scholastic. Today they’re here to chat about the recent release of the second book in the series, BOB AND TWEETS: Perfecto Pet Show. Thanks so much for joining us, Pepper and Kristy. Let’s get started.

Question #1: First of all, welcome. Since this is our first time meeting, please tell us a little bit about yourselves and your journey into the world of children’s book writing/illustrating. 

Pepper: Thank you Laura, we really appreciate having the opportunity to talk with you about the Bobs and Tweets!

I deftly avoided going to law school after college, instead attending the Radcliffe Publishing Program, and started working at Dell Publishing as a publicity assistant. I worked with really talented adult book authors such as Richard (Revolutionary Road) Yates, Danielle Steel, Belva Plain, Gay Talese, and Gordon Liddy.  I loved my job but I also liked being in school so I went to NYU at night to get an MBA.  Shortly after I graduated, I was approached by someone at Dell who wanted the company to start a classroom book club to compete with Scholastic.  I took the job, started a classroom book club called the Trumpet Club and have worked in children’s book publishing ever since.

I think now is a good time to come clean that my real name is Judy Newman and after running the Trumpet Club for 7 years, I came to Scholastic in 1993 and am now the President of Scholastic Book Clubs.

And while for all those years, I wanted to write a book I never had the courage to actually sit down and get my stories out of my head and onto a piece of paper (yes, paper in those days!).  I am supposed to be an expert on children’s book publishing and I think I was terrified that if a book I wrote wasn’t perfect that I would be exposed as a fraud.  But eventually—decades later—I finally got up enough nerve to start writing, find Kristy, and work with an editor.  But I still felt the need—until very recently—to hide behind my pseudonym…Pepper Springfield. Although I’m still getting used to being an author and having people know that I am Pepper, it’s been wonderful to finally be able to talk openly to wonderful and supportive people like you about my passion for the Bobs and Tweets books and my journey as an author.

Well, henceforth, you will always be both Pepper and Judy to me. I’m so glad you overcame your hesitation to write!  

Kristy:  To me, it always looked like children’s book illustrators had the most fun, but initially I didn’t know how to become one of those people. I always hacked my jobs to incorporate some illustration duties. Everyone needs illustration at some point. Eventually, I moved from Monroe, Louisiana, to New York to attend the ‘Illustration as Visual Essay’ graduate program at the School of Visual Arts. Rachael Cole, the art director of Schwartz & Wade, generously agreed to be my thesis adviser, and she guided me to an understanding of what the process of creating a picture book can be, at its best. I also worked as an intern at Schwartz & Wade during that time. I think I was their first intern! After graduation I participated in Pat Cummings’ Children’s Books Boot Camp. I didn’t have a lot of confidence at that point, and Pat taught me a lot about standing behind my work.

I was very lucky to receive the initial email about Bobs and Tweets based on the strength of my portfolio on the Society for Children’s Book Writers and Illustrators website (SCBWI for short).  Judy saw something in my work that made her think I could be trusted with these characters, and I’m so grateful for that.

What a wonderful story of how you got your start! I hope this inspires other illustrators to keep building their portfolios.  

Question #2: I’m so delighted you found each other! Now, Pepper (aka Judy), please us a little bit about the inspiration behind the BOBS AND TWEETS books. And Kristy, what was your creative process for bringing Pepper’s characters to life pictorially?  

Pepper (Judy): I visit many classrooms all over the country as part of my day job and I was always inspired to find books for kids who aren’t great readers—particularly 1st, 2nd, and 3rd grade emerging readers—those kids who struggle with vocabulary but don’t want to read “baby books.”  I know those kids need books that have interesting stories and well developed characters that are funny and relatable but easy enough to read if you’re not a confident reader.

We know that rhyme—and engaging color illustration—work really well in helping kids read successfully so I wanted to try an unorthodox format: an 80 page rhyming, fully-illustrated chapter book.

One night the phrase “Bob the Slob” popped into my head.  Bit by bit, I developed that one phrase into a cast of characters who all live on Bonefish Street. There are the Bobs, a family of real slobs, but the youngest member of the family, Dean Bob, is quite fastidious.  He and his dog, Chopper, navigate life with a family who is not above driving their jet ski into the Bonefish Street community pool and building a half pipe ramp for skateboarding in the middle of the street. Fortunately, Dean meets Lou Tweet—the youngest member of the Tweet family of neatniks who have unwittingly moved directly across the street from the Bobs. Lou is NOT like the rest of her family. She loves rock ‘n’ roll and isn’t too neat.  Quickly, Dean and Lou become best friends.

There’s also Mo, the self-proclaimed Mayor of Bonefish Street.  Lifeguard Mark, in charge at the Bonefish Street Community Pool, Ms. Pat, the kids’ incredible teacher, and a whole cast of kid and adult characters.

Kids have a lot of pressure on them—including dealing with complicated family lives—and I wanted to create empathic characters that readers would cheer for and feel connected to.
Meet the Bobs and TweetsI think one of the most gratifying things so far is that Meet the Bobs and Tweets was voted by kids as one of 32 “Young Readers” titles chosen from 12,5000 for the ILA/CBC Children’s Choices 2017 Reading List.  That says to me that kids are finding the books and liking them organically.

I LOVE your phrase “and finding them organically”! That is a great tribute to your books and what we, as writers, parents, teachers etc. want kids to be doing – finding and falling in love with books “organically”!

Kristy:  The characters are so wild and woolly—even the Tweets, who are wound so tightly that they are always a hair’s breadth away from total breakdown—that there’s a lot of fun to be had in the details. The stories really embrace the messiness of family and friendship.

Since it’s a series, the biggest challenge was to design characters kids would want to spend a lot of time with. The Bobs play a lot of pranks, and I wanted to make sure they don’t feel mean. The Tweets can be very rigid, and I wanted to make sure they feel capable of having a good time, too. Pepper (aka Judy) had already done a great job of digging into the characters’ backstories. I think I did three or four rounds of character design before it started to feel right. I have some secret inspirations. I thought about some of the more eccentric members of my family and pulled details directly from them. That helps me think about the characters more three-dimensionally, too.

Note from Pepper: Me too! Some of the characters are definitely inspired by real people in my life.

Yep, I have to agree.  The real-life people we know can certainly be inspirational.  

Question #3: You are only the second author/illustrator team I’ve had the chance to interview.  I’m curious to know how much and in what ways you collaborated in the process of bringing your first book and now this second illustrated reader to final publication stage?  

Pepper (Judy):  This is actually the first interview Kristy and I have done together as a team and it’s so much fun. And you are asking a key question about our collaboration.  I know many picture book authors and illustrators never meet (and I just read about how you met Jane Chapman—your illustrator—for the first time. ).  I do understand how the writer and the illustrator working on a project from different perspectives (and different countries even!)  bring their individual visions to the book to create something special and amazing.

But for Bobs and Tweets I knew I needed to find an illustrator who could collaborate with me along the way at every step.  I was so excited to find Kristy Caldwell through the SCBWI website.  Her portfolio wasn’t that extensive at the time but there was something about the whimsical way she drew that just resonated with me.

Kristy artwork 2011

An example of Kristy’s artwork from 2011 (5 years before Meet the Bobs and Tweets was published!)

She was brave enough to take a cold call and come and meet me for breakfast in Soho and then we just got started. I realized I had to be clear—in the text as well as in my verbal conversations—about who these characters are.  Over many breakfasts at The Cupping Room in Soho in New York City, we worked through the personalities and signature behaviors of Lou and Dean and the whole cast of characters.  Bit by bit we developed these characters over breakfasts—and that is saying a lot since really neither I not Kristy are morning people—but those breakfast meetings were the best for our schedules and creative flow.

I would write about the characters and Kristy would draw them and it felt like magic, watching the two points of view come together. There are so many characters in these books and each of them requires lots of discussion and back and forth. We also want to make sure the world of Bonefish Street includes diverse characters and feels real and relatable.

Kristy: I don’t remember much about our first meeting except that I almost immediately knocked my water over, but I guess it went well from there!

We met the most frequently in the beginning, during the concept stage for the first book. But we have continued to meet in person at critical stages like the early writing and thumbnailing—for Perfecto Pet Show and now for Book Three too. I think it sets us down a good path. In person it’s easy to see which ideas Pepper is particularly excited about, and that’s really helpful. We try to support each other. By talking together in the early stages we also have a rare opportunity to discuss new characters and dig deeper into the community we’re slowly building with each book.

Question #4: Teachers and parents are always looking for ways to tie books into the curriculum or extend the enjoyment with post-reading activities. Do you have any extension activities your readers might enjoy? 

Pepper: Because Meet the Bobs and Tweets was a non-traditional format we created a handmade dummy of the text with black and white illustrations.  We sent out about 50 copies of that dummy—along with a survey—to teachers to share with their students and get some feedback.  From those survey responses we knew that teachers would use Bobs and Tweets to do a variety of lessons:  comparing and contrasting, rhymes and rhythm, conventions and usage of standard English grammar, recall and retelling, and more. We actually had a really wonderful teacher send us a lesson plan on these topics that is free to download on pepperspringfield.com!

The original dummy cover and our first student survey.

We are working on a program where kids can say whether they are a Bob or a Tweet, holding up a Tweet or Bob specific paddle, and then explain why they say that.  We’ve been trying this out informally with kids we know and the responses are fascinating.  I think teachers will get really rich lessons when kids use their critical thinking skills and stretch their vocabulary to describe their opinions about themselves within the Bobs and Tweets framework.

We don’t want to make these books too heavy handed or curricular but I do think they really lend themselves to be class conversation starters and generate very insightful and meaningful feedback. Also, to help teachers get some insight into students’ family lives.

Kristy:  A third-grade class did put on a play based on the first Bobs and Tweets book. I was totally blown away. The school emailed me a few photos, and it was inspiring to see how big the actors’ smiles were. I recognized specific illustrations from the book in the painted backdrop, and I think they improved everything!

Like Pepper said, I think the strong contrasts throughout the books are an opportunity for kids to appreciate each other’s unique strengths. The relationship between the Bobs and the Tweets evolves. It was important to Pepper and to me that the “slobby Bobs” get to be the good guys sometimes.

These sound like wonderful extension ideas and I LOVE that a class decided to put on a play based on your first book. That’s a sure sign the loved it!

Question #5: Finally, what’s next for each of you?  Any more collaborative, or independent, works in the pipeline?

Pepper (Judy): It took us three years to get Meet the Bobs and Tweets from that first coffee shop meeting to a published book. Since then we have spent so much time and creative energy developing the characters and the world of Bonefish Street that there is so much rich material to mine for future books.

We love Ms. Pat, Lou and Dean’s marvelous, pet loving teacher who has a real penchant for children’s literature (hint: check out the names of her pets!); the kids in the class, the colorful adults in the Bonefish Street community, and the always surprising Bobs and Tweets themselves.

Right now we are working on a Halloween book for Fall 18 and have lots of ideas for future books and interstitial material.  My dream would be for this world to be turned into an animated series as a companion for the books!  What I have learned in this process, is that if you believe in your characters and your stories strongly enough and have the courage to NOT hide (like behind a pseudonym!) anything is possible if kids love your books.

Kristy: As Pepper said, we are actually at work on Book 3 as we speak! The world of the Bobs and Tweets is growing richer. We get to explore new emotions and new connections between characters, and—not to give anything away—I’m having a lot of fun mapping out all of Bonefish Street, which we hadn’t done before.

I also have a picture book coming up that will tell the life story of Isabella Bird, a trailblazing adventurer who lived in the 1800s. Away with Words is written by Lori Mortensen and will be published by Peachtree Publishers in Spring 2019.

 Congratulations to both of you!  I shall look forward to the Halloween book with many more to follow, I hope.  And AWAY WITH WORDS sounds marvelous, Kristy!  Can’t wait to read that as well. Thanks for stopping by and best wishes for continued success. Enjoy the journey!


About the Author:

Pepper Springfield (aka Judy Newman to close friend and family) was born and raised in Massachusetts. She loves rock’n’roll and chocolate, just like Lou Tweet. And, like Dean Bob, she loves to read and do crossword puzzles. Judy hates the spotlight, but Pepper is getting used to it! If Pepper had to choose, she would be a Tweet by day and a Bob at night.

About the Illustrator: 

Kristy Caldwell  received an MFA in Illustration from the School of Visual Arts. She is a full-time illustrator and part-time Tweet. While working in her art studio in Brooklyn, NY, Kristy gets her creativity on like Lou Tweet, drinks tea like Dean Bob, and hangs out with her energetic dog, Dutch.

AUTHOR SPOTLIGHT: A Chat with Laurie Wallmark in Celebration of her Latest Release – GRACE HOPPER: QUEEN OF COMPUTER CODE

Grace cover 100dpi 3x4

Today I’m delighted to have children’s author, Laurie Wallmark, as my guest. Laurie and I met several years ago at the NJSCBWI annual conference, and I’ve been impressed by her passion for highlighting the careers and lives of notable women in the science field.  Her first book, Ada Byron Lovelace and the Thinking Machine (Creston Books, 2015), celebrated the life of a 19th-century female mathematician who is considered to be the world’s first computer programmer.  Her newest book, Grace Hopper: Queen of Computer Code (Sterling, 2017) celebrates the life of Grace Hopper, a 20th century female trailblazer in the field of computer programming.  Grace Hopper: Queen of Computer Code is engaging, informative, and fun and has already earned strong reviews from Publishers Weekly, Kirkus Reviews and more. Welcome, Laurie and let’s get started.

Q: What inspired you to write Grace Hopper: Queen of Computer Code?

A: Since I teach computer science and am a former programmer, the early years of computing fascinate me. Grace was among the first computer scientists. I’m amazed at how her insight and creativity shaped the world of computers today

Q: There are so many fun – and fascinating – moments in this delightful picture book biography, including one particularly amusing moment involving a bug. What was your research process like? Were there any amazing moments where you discovered something completely new to you? 

A: It’s interesting that you ask about that computer bug. I had always heard that Grace discovered a moth in a computer relay, which caused her to coin the word “bug.” Well in doing the research, it turns out neither part of this sentence is quite true. Grace was not the person who discovered the bug, but rather someone on her team did. And as far back as Thomas Edison, the word “bug” was used to describe a glitch in a mechanical device. Grace was the first person to use the term “computer bug,” though. This is why research is so important when writing nonfiction for children.

Q: Most of your text is written in creative nonfiction, but on many spreads you also have special text that is set apart in large and colorful fonts. Can you share with us why you chose this distinction? 

A: Grace was known for her witty sayings, and the set-apart text contains some of the most interesting ones. Because not all of her quotations would easily fit as part of the story, we chose to separate them out like this.

Q: Katy Wu’s illustrations really enhance your text. I love the mid-century funky feel she creates in each spread.  What was it like to work with Katy?

A: In general, and that was true in this case, the author doesn’t work directly with the illustrator. Instead, my notes and suggestions went through my editor and the art director. I provided Katy with lots of pictures of Grace, computer equipment, and even a math problem to show on the blackboard. I was fortunate that Sterling solicited my opinions on the illustrations. That’s not common.

Q: Finally, teachers and parents are always looking for ways to tie picture books into the curriculum, and I think that’s especially true for a STEM rich book like this. Do you have any extension activities your readers might enjoy? 

A: On the teacher page of my website (http://www.lauriewallmark.com/teachers.php), I have a discussion guide for use with this book. Among other things, it includes the following activity:

Is there some gadget or gizmo you wish existed? Write the name of your invention and what it does on a blank sheet a paper. Draw a picture of what your invention might look like. Share you invention with your classmates and describe how it works. Listen as they explain about their own inventions.

Thanks so much for stopping by, Laurie.  I wish you the best with this remarkable new book.

Laurie-Wallmark-100dpi-4x6BIO:

Award-winning author Laurie Wallmark’s debut picture book, Ada Byron Lovelace and the Thinking Machine (Creston Books, 2015), received four starred trade reviews (Kirkus, Publishers Weekly, Booklist, and School Library Journal) and several national awards, including Outstanding Science Trade Book and the Eureka Award. It is a Cook Prize Honor Book. Her recently released picture book biography, Grace Hopper: Queen of Computer Code (Sterling Children’s Books, 2017), earned a Kirkus star and was well-reviewed in several trade journals. Laurie has an MFA in Writing for Children and Young Adults from VCFA. When not writing, she teaches computer science at Raritan Valley Community College.

Click here to join Laurie as she travels from blog to blog to introduce her picture book biography, Grace Hopper: Queen of Computer Code.

Follow Laurie on:
Facebook: https://www.facebook.com/laurie.wallmark
Twitter: @lauriewallmark
Pinterest: https://www.pinterest.com/lauriewallmark/

 

GOOD NEWS: New Picture Book Deal!

IMG_3148I’ve been keeping this news to myself for some time now, but the announcement ran in Publishers Marketplace today, and I even spotted the book listed on the Target website, so I think I can finally spill the beans!

Here it is:

“Laura Sassi’s LOVE IS KIND, in which a little owl searches for the perfect gift for his beloved grandmother and learns about love along the way, illustrated by Rosalinde Bonnet, to Barbara Herndon at Zonderkidz, for publication in December 2018, by Lara Perkins at Andrea Brown Literary Agency for the author (World).”

And now, in celebration, have a virtual nibble from one of these adorable cookies baked by Miss A. (She sure knows how to decorate a cookie!)

Here’s my writerly takeaway from this latest fun news: Keep writing.  Keep subbing. Keep honing your craft. Be true to yourself and good things will come. Happy writing all!

TOP TIP FOR ASPIRING WRITERS? Join a Critique Group

img_4320Last week fellow Zonderkidz author Glenys Nellist wrote an inspiring post about her top tip for aspiring authors:  attend a writing conference. I love her tip and I wholeheartedly agree that attending conferences is important. It’s a great chance to interface with editors and agents, for example, and to network with other authors. It even led to her first book offer! (Yes, you really should read her post.)

But what would my top tip be?  Hmmm… there are so many possiblities.  Writing daily, reading voraciously. Attending conferences. Yes. But I guess if I had to pick one top tip for aspiring writers, it would be to join a critique group.

Often when I chat with newer writers, I discover they’ve been writing in isolation. And very often the manuscripts they share would benefit from several more rounds of revision. As a new writer, I, too, was guilty of writing in quiet isolation, never sharing my work in progress with anyone (except maybe my husband or mother) and consequently sending pieces to publishers far too prematurely.

It wasn’t until I started sharing my work with a handful of trusted critique partners that my writing really improved. Joining a critique group also got me connected with other writers eager to learn and grow and succeed.  In fact, I would go so far as to say that being part of various critique groups over the years has made all the difference in my love for this writerly journey.

Here then, with gratitude to my awesome, trusted critique buddies, are FOUR wonderful perks I’ve enjoyed by participating in critique groups.

1. COMMUNITY SUPPORT:  Writing can be lonely and the intricacies of the publishing world are certainly confusing. What a blessing it has been to be part of various critique groups that have included both new and seasoned authors, all eager to support and encourage each other, providing advice and insights along the way.

2. FRIENDLY ACCOUNTABILITY:  Most critique groups have rules for submitting and sharing work. Members are expected to abide by those rules and are kept accountable by the other members in the group. My current online group, for example, has seven members and we each take turns submitting one manuscript per week. My in-person group meets monthly and we all bring something to share. I can’t tell you how many times I’ve been tempted to set a story aside because I’m stuck over some sticky wicket, but instead I’ve pressed on.  Why?  Because my critique group was counting on me (and cheering me on) to produce a presentable draft.

3. FRESH EYES AND FRESH PERSPECTIVE: I am grateful for the honest, thoughtful feedback I’ve received from my critique partners. Indeed, there’s nothing like fresh eyes on your story to give you much needed perspective.  I must confess, however, that I have grown as a writer, just as much, if not more, from giving feedback to others. Sometimes it’s easier to see what is and isn’t working in someone else’s writing. And if you can articulate that for your critique partner, you not only help them, but you can most likely apply that feedback , or some variation of it, to your own writing.

4. DEEPER UNDERSTANDING OF YOUR GENRE:  Finally, participating in a critique group offers members a chance to gain a deeper understanding of their genre. This happens quite naturally as you read and respond to each others’ work.  For example, when critiquing each others’s work, members in my groups will often suggest helpful titles to read, perhaps pieces that follow a similar structure, or that have a similar theme.  Through this process of feedback and discussion and reading suggestions, our understanding deepens and our skill improves.

Now it’s your turn. What critique group perks have I missed?  I’d love to hear your thoughts in the comments below.

Happy reading, writing, and critiquing all!

P.S. Stay tuned for a follow-up post on how to find a critique group.

 

SUBMITTING STORIES and POEMS to MAGAZINES: Six Tips for Young Writers

Sea White

My eleven-year-old decided to write her own retelling of “Snow White and the Seven Dwarfs”.  First, she went to the library to find as many versions as she could of the famous tale. She read each one, noting what characteristics they shared and what details made each unique.

She titled her version “Sea White and the Seven Starfish”.  After several weeks of writing and revising, her story sparkled like sunshine on a salty sea. “Will you publish it on your blog?” she asked. “I could,” I answered, “but it might be more fun to see if you could get it published in a magazine.”  She loved the idea. But where to start?

With my daughter in mind, here now are SIX tips for young writers (and their parents) on how to submit original kid-written work to magazines.

Select a publication destination.  Only certain magazines accept work from children. For a comprehensive list, visit the NewPages Young Author’s Guide. Maintained by editor Denise Hill, a teacher who loves to encourage young writers, this great resource also includes a list of legitimate contests for kids. Each listing has a link to the publication’s website where you can find more information.

Read several issues before submitting anything. Once you have a short list of potential publications, be sure to take time to read several back issues. Not only is this a great chance for your kids to experience reading magazines, it will also give you and them a sense of the style and content of each.  Does one magazine favor poetry while another favors prose?  Are the illustrations also done by kids?  How many pieces by kids are included in each issue? These are just a few of the questions you and your child will want to think about.

Follow the publisher’s guidelines carefully.  Once you and your child have decided which magazine to submit to, revisit the publisher’s website and print out their submission guidelines.  Make sure your child follows their protocol exactly so that she/he makes a good impression and so that the piece is eligible for review. Pay special attention to word length and format. For example, does the piece need to be typed, or is neat handwriting okay?

Send ONLY your BEST work.  This should be obvious, but it warrants special mention because, as I’ve learned from visiting young writers in schools,  kids often mistakenly think that once they’ve written something, it’s finished.  But good writing requires revision, preferably multiple times, with a nice final round of polishing.  And it’s always a good idea to proofread every sentence with care one extra time before sending.

Be patient. This is hard for kids, but waiting is the name of the game in the publishing world. Most magazines give a time frame for when to expect a reply.  A nice way to help kids wait is to colorfully mark the possible response date on the family calendar. While they wait, encourage them to work new stories and projects!

Stay positive and remember rejection is part of the process. This is also hard for kids, but the reality is only a few of the multitude of manuscripts submitted will make it into print. Still, kids can remain positive because just taking the time to hone and craft a story and send it off – no matter the ultimate response – makes them a winner in my book!  And if nothing pans out, there’s always the possibility of publishing it as an email to family members, or as a special blog post on a family member’s blog. Sounds like a win/win to me!

Happy subbing, young writers!